After the success of 2016, Bráulio repeats the formula in 2017, making use of the fact that he rarely repeats formulas to offer us a book with unpublished works, such as posters, illustrations, identities, exhibitions, merchandising and other works, all materialized in 2017.
“(…) Bráulio continues to consistently create intense, frenetic, almost manic pieces at an exhausting rate. The posters seem to reference a wide variety of historic cultural designs from around the world without copying any of them. They feel contemporary but at the same time vintage. The fun is turning each page to see what new technique or typeface is being distorted or invented.
(…) Bráulio plays every instrument in the orchestra and he plays them like an experimental jazz musician – with skill and with creativity.”
— Luke Hayman (Pentagram)